Writing Matters #5: communication with the dead

Last week I watched a Netflix documentary called ‘Surviving Death’, covering subjects that are extremely hard to believe unless they are experienced first-hand. There were five episodes: Near Death Experience (NDE); Mediumship; Signs From The Dead; Seeing Dead People; Reincarnation. It’s well worth seeing, because they illustrate reasons for belief and scepticism for each subject. I found every episode fascinating, especially as I’ve drawn on elements from all the subjects bar reincarnation in my novels ‘Flight of the Kingfisher’ and ‘Walk in the Afterlight’. The hero of my books, Alex Kelburn, is a psychic medium who sees and hears dead people, and he has a Near Death Experience in ‘Flight of the Kingfisher’. I haven’t had a NDE, but I have had signs and I’ve seen and heard some people who have passed over.

For instance, I have heard the voices of my late brother and father. In each case it was very brief, but the few words were deeply meaningful. My brother, who passed in 1984, often communicated with me through mediums – in fact it was Stephen that started me on my quest for information and evidence of the afterlife – but he spoke to me directly just once, and that was about eight or nine years after his death. He said, “I have to go now, sis, but you will know me when you see me again.” I had no idea what that meant, but wondered if he was going to reincarnate, something I didn’t and still don’t understand. Whatever it was, I had no communication from him for many years after that, but then, not long after my father passed, he came back through a medium friend. Even before she’d spoken his name I had known he was there, so it was just as he’d said: he wouldn’t be around for quite a while, but I would recognise him once he returned. I never thought to ask what he’d been doing in the intervening years.

When my father died not long after Stephen’s reappearance, I assumed he had returned to help Dad cross over. (I was later to find out I was wrong about this, but that’s another story!)

Dad passed when his life support was switched off following a catastrophic heart attack. The decision had been mine, as his next of kin, and although most of my heart knew it was what he had wanted me to do, there was a small part that still wondered if I had done the right thing. Only thinking that he and my brother were together again gave me some cheer (I was later to find out this wasn’t true, but that’s another story). Not long after his funeral I was out walking in the fields with my dog, my thoughts churning about his death and desperately wanting to know if he was OK. Then I heard his voice. A man of very few words, I almost laughed out loud that he could impart such an important message to me in just one short statement: “I’m OK, kid”.

So that was hearing dead people. What about seeing them as well?

When I was a very small child I used to see and hear an elderly gentlemen. I only ever saw his head and shoulders, which seemed very high above me as I lay in my cot. He was bearded, had a sparse covering of hair on his head, and he spoke with a deep voice with a distinctive timbre. If I ever knew his name I’ve forgotten it, nor can I remember what he said, but I’m sure I’d recognise that voice if I heard it today, some sixty years later!

I was at a mediumship demonstration in a town about ten miles away from my home. I went alone and, not recognising anyone else in the audience, I took a seat at the front. Within a few minutes two women, who looked like sisters, took the chairs to my right, and the rest of the row soon filled up with excited and expectant people. As you do in these circumstances, we smiled at each other, but there was no time for introductions or chit-chat as the medium came onto the stage as soon as everyone had settled.

From the reactions of those to whom she gave readings she seemed to be doing very well with her accuracy and evidence. She was entertaining too, managing to keep the atmosphere light and happy even when people cried when they got messages. During the interval we all gathered at the back of the hall for some refreshments and I spotted someone I knew. She said she had a spare seat next to her near the back, but as I’d left my coat on the chair at the front and we were being asked to sit down again so the medium could continue, I said I would go back there.

When the medium came to the end of her demonstration she invited questions from the audience. There were many! As I’ve researched mediumship for a few decades I was content to listen, but then I became distracted by a little girl to my left. She was softly humming a tune, skipping and dancing in in front of the two women sitting next to me. She was about eight years old. Her blond hair was long and braided into plaits. She wore a pretty blue dress with ribbons on the sleeves and black patent shoes, the kind of outfit a girl of her age would wear to a party. Because she was in front of the two woman nearest me I assumed that one of them was her mother, and as I hadn’t seen her until then, I thought she had probably been brought along by her dad to collect her mum at the end of the evening.

But something about this little girl didn’t seem right to me. If I looked at her head-on she seemed to fade a little, it was only by looking at her through the corner of my eye that I could make out the detail of what she looked like. I went hot and cold. I felt my skin tighten and tingle. And I knew, I can’t explain how or why, but I absolutely knew that neither the two women nor anyone else in the hall were even aware of her.

I put my hand up to attract the attention of the medium, and when she came to me I nervously said, “I want to tell you that there’s a fair-haired little girl in a party dress dancing around just to my right here. I’m not a medium, but I think perhaps she has a message for one of these two women?”

The woman furthest from me from gasped as the medium turned her gaze to where I was indicating and confirmed that she could see the girl too. The hall went absolutely silent as medium and child had a short conversation that no-one else could hear, then the medium said the little girl’s name and gave many details, including her age, how and when she’d died, that she was wearing her party dress because her birthday had been just two days before. By now the woman was crying, both with sadness and with joy, because this was her daughter and all the details given by the medium were correct. The little girl had come that evening to let her mum know that she was happy, she didn’t feel ill any more and she was being taken care of. It clearly gave the mother great relief, which is what these messages are all about.

I was stunned by the whole event, and it wasn’t until I was back home that I realised how fortunate (or fated) it was that I did not change seats, otherwise that lovely reunion of mother and daughter might not have happened.

~~~~~~

Walk in the Afterlight: extract

“Your mum is a patient here?” asked Beth with sympathy. “Gosh, she must be young.”

Kallie smiled. “She’s not far off seventy. She was nearly forty when she had me. But dementia can strike at any age, even in children, so I understand. Mum’s in great health physically, so she could be here for a long time.”

Beth asked where Kallie’s mother was now and she explained again about the safe room.

“I won’t see her again today, because she’ll walk herself to exhaustion and they’ll put her straight to bed. She was only here a matter of weeks before her memory became severely affected and it wasn’t long before she didn’t recognise me any more.” Kallie looked rueful. “Sorry, you don’t want to hear all that when you’re probably going through the same thing. It was nice to meet you, though I’m sure we all wish it was under better circumstances.”

Kallie gathered up her coat and bag and left the lounge, giving Alex, Beth and Anna a small smile and a wave of her fingers. Alex followed her with his eyes.

“I know that look,” said Beth. “Does she have someone with her?”

“Two people,” he replied. “Her grandparents, I think. I could sense them when she and I were talking, but either they weren’t aware of me or just didn’t want to communicate. I think they’re just watching out for her.”

“Maybe Kallie’s mum is their daughter and that’s why they’re here, watching over both of them?” Beth squeezed his hand. “Why don’t you go outside for a bit, Alex?”

He set off to find his favourite bench, the one hidden from the lounge windows but with a good view of the striking water sculpture.

Once past the area that had been laid out as a giant checkerboard, Alex was pleased to find there was no-one else around. He sat down and contemplated what he’d just witnessed inside, allowing the gentle, musical sound of running water and the little tinkling bells to soothe him. He decided he didn’t know nearly enough about dementia in general and Simon’s condition in particular, and needed to do some research. If only he had the time! He shouldn’t even be here now, but he’d come for Beth’s sake and he was glad that he had.

“Would you mind if I sit here?” a friendly voice asked, bringing him out of his reverie. “It’s my favourite place as it can’t be seen from the house and I can get a precious few minutes uninterrupted.”

Alex looked up at the slender figure in front of him, delighted to see that it was Erin, and invited her to join him.

She sat down beside him, her knees audibly clicking. “Sorry about that.” She laughed. “My knees have always clicked and the years of bending and lifting takes a terrible toll on the joints, even when you’ve been trained to do it right. Shame Simon had to go into one of his strops just as you and Beth were walking in. Is Anna okay?”

“She’s fine and you were marvellous, as always. It amazes me how you stay so calm. Would you like to be alone? I’d say you deserve some peace and quiet after what you’ve just had to deal with, but I suppose it’s all part and parcel of the working day for you, isn’t it?”

He made to rise but Erin placed her hand on his arm and gently but firmly prevented him from leaving.

“Actually, Alex Kelburn, I’ve been stalking you!” She laughed, making her face look years younger. “I’ve seen every episode of your TV show, I’ve read your book, and whenever you’ve come to the hospice to give one of your inspirational talks I’ve been sure to be there. Everything about you is absolutely fascinating to me and since your wife’s grandfather came in I’ve been waiting for an opportunity just to talk to you! Can I ask you a question?”

She bit her bottom lip and a slow blush rose from her neck upwards as she waited for his response. He assumed she was going to ask if he could give her a message from a late member of her family or a friend, so he nodded, more than willing to help someone who worked as hard and as compassionately as she did.

Everyone noticed how kind, how gentle she always was with the residents, and the dementia lounge seemed a much duller place when she wasn’t on shift. She asked her question but it wasn’t at all what he expected.

“Where do they go, the patients who no longer seem to be aware of themselves or their surroundings? I mean, take Simon. One moment he’s angry and shouting, the next it’s as if he’s simply left his body behind and gone somewhere else. Some of the patients are like that all the time, never having lucid moments at all, and I’ve always wondered… where do they go?”

Alex smiled at the question, glad that it was one he could answer. It might even help her.

~~~~~

Want to know more? ‘Walk in the Afterlight’ is available in paperback and kindle formats from Amazon, for all e-readers from Smashwords.com, and to order from all bookshops.

(This is a revised and re-edited version of ‘The Waiting Gate’, published 2017)

Flight of the Kingfisher: extract

the full cover

1951, Chapter 1

“Come on, sweetheart, up you come.”

Though she weighs next to nothing, and he is as gentle as can be as he gathers her into his arms, she gasps in pain as he eases her up from the pillows. Gently, oh so gently, he persists, moving her little by little until she is sitting on the edge of the bed.

“I’m sorry, love, so sorry.” He brushes away the beads of perspiration on her forehead and upper lip with his fingertips. “I’m trying not to hurt you, but you know I have to get you dressed and downstairs.”

Her clothes are already laid out: underwear, petticoat, tights, her smartest, warmest dress, cardigan, her favourite low-heeled shoes that she’s always worn for going out somewhere a bit special. Tenderly he places each garment on her tiny frame, hiding his distress at how nothing fits her any more. Even the shoes are too big. He brushes her hair, so fine now her scalp shows through the strands of white in narrow lines of shiny pink.

“I think we can do without make up, eh, love? I don’t think I’d do a good job. Smear your lipstick and get more powder over me than on you, most likely. Anyway, you’re beautiful as you are.”

He steps back so she can see him. “And look at me, in my best suit and tie. I’ve even pinned on my medal and my shoes are so shiny you can see your face in them.” He lifts up his right foot, but her gaze doesn’t leave his face. She starts to slip sideways and he has to dash forward to catch her.

“OK, my darling girl, we’re ready as we’ll ever be. Let’s do this.”

Carefully, slowly, acutely aware of the sharpness of her bones and the sweet-sour scent of her skin, he raises her to her feet and wraps the thick quilt from the bed around her. She manages a few shuffling steps and it’s obvious she cannot make it on her own.

Can he carry her? He has to, despite being old and weak, with probably less than half the strength of his youth.

“Well, my love, we’re going to have to do this the hard way. Remember how I carried you over the threshold on our wedding night? I nearly took a tumble and you grabbed hold so tight you almost wrenched my neck. Remember that? I’m sure you do.”

He can’t risk the extra weight of the quilt or the possibility of tripping over a trailing piece of it, so he removes it from her body and tosses it on the bed, still talking all the while to distract her.

“It’s like yesterday to me, our wedding day. You looked like an angel in your white dress, you know. Fair took my breath away. And that little suit you wore afterwards, showing off your tiny waist. A hat, too, I remember, perched on your shining hair, which was all pinned up at the back so fancy. I thought I was a lucky, lucky man that day, and I’ve thought it every day since. Can you put your arms round my neck, love?”

He pauses, making sure the weight of her, slight as it is, is securely balanced against his body. Her head rests on his shoulder, and her feet dangle so that both her shoes slip off and land on the floor with a dull thud, thud.

“I’ll come back up for your shoes, don’t you worry. And the quilt. We must keep you warm, now, mustn’t we.”

He’s at the top of the stairs now, already nervous about how he’s going to make the descent safely.

After each downward step, shaking with effort, he has to pause and steady himself before taking the next one. He almost smiles at the bitter irony of not wanting to trip;

What if she were to survive the fall and he didn’t? It didn’t bear thinking about. He had a huge responsibility here, and he couldn’t afford to mess up.

“I have to be very careful, my love. I know this is uncomfortable for you, but you need to hold tight. Now, then, let’s take it really slow and steady.”

The narrow stairway means he has to turn slightly sideways to get them both down. He can’t hold onto her as well as the banister rail, so must take it one step at a time.

Right foot down.

Shift her weight a little to keep his centre of balance.

Left foot down onto the same tread.

Steady.

Steady.

Pause and breathe.

Down and down, step by step, until he is at last standing on the hall floor. His breathing is laboured and his arms tremble with the effort he’s made, but he has to carry her just a few more steps to the kitchen.

Once there, he lays her down on the thin mattress he’d placed on the floor earlier. Her skin gleams with sweat and has a ghastly yellow hue. He knows bruises are already forming on her arms and thighs where his hands have so firmly held her.

“I’m going back up for the quilt and your shoes, love. I’ll be very quick.”

When he returns, she is shivering and weeping, mewling like a newborn kitten. Quickly he covers her with the quilt and with a clean handkerchief wipes the tears from her sunken cheeks and kisses her forehead. His own face is wet, his throat tight, but he must not waver now. This is something he must do, a promise he must keep.

A promise he wants to keep, with all his heart.

His voice just above a whisper, he tries to reassure her as he once more puts on her shoes and covers her with the thick pink and white quilt. “It’s alright, sweetheart, it’s alright, my love. Very soon now you won’t be suffering, I promise, and everything will be wonderful again. For both of us. Just wonderful.”

Her huge, once-beautiful eyes fasten on his face and his throat catches to see the tears well up again and tremble on her sparse lashes. She has no voice now, hasn’t been able to speak for quite a time, but everything she is thinking shines from those eyes.

“Now, now, don’t you be worrying about me. My mind’s made up, and there’s no changing it. Since the day we met, you’ve meant the whole world to me, and I couldn’t go on without you. You know that, love, I’ve told you often enough. And this way I won’t have to.”

Satisfied that she is warm and as comfortable as he can make her, he bustles round the tiny kitchen, checking for the hundredth time that the sash window is securely taped up. It is so cold, ferny fronds of frost pattern the glass on the inside.

“Just got to do the door now.” His words plume in the freezing air.

From the wooden draining board, he grabs the roll of duct tape and the large knife he’s had since his army days.

In minutes, the door is sealed to his satisfaction, and he puts the tape and knife away in a drawer, wanting the kitchen to be tidy. He has spent the past few days cleaning every nook and cranny of this house to be sure that it is immaculate.

There’s a warning note taped to the outside of the front door and the letter to his sister-in-law, their only living relative, is propped against the clock on the mantelpiece. There’s hardly any money for her, but Mavis can have any of their possessions she wants, including a pearl brooch that he knows she admires. He’s sorry, though, that she will have to deal with the fallout on her own, and that plays on his mind constantly.

She’s been so good, helping out, has Mavis. Many times he’s wanted to confide in her as they sat drinking cups of milky tea after she’d changed the bed linen and done some

baking so he’d have something wholesome to eat. But feeling sure she wouldn’t understand, would certainly try and talk him out of it, he’s kept silent and, he is sure, has put on a good act so she has no suspicions.

Besides, what possible alternative is there to the plan he is determined to carry out this day? He would be nothing without his wife. Nothing. Only war has ever separated them, and on either side of those terrible times they haven’t spent a single night apart. He has no intention now or ever of sleeping without her by his side.

So this is the way it has to be.

He kneels beside her, croons softly, “Just one more job, my darling, and I’ll be right beside you. It’ll be just like we talked about; we’ll simply drift off to sleep. Yes, we’ll go to sleep and then we’ll wake up on the other side, and everything will be wonderful.”

Grabbing two corners of the mattress and trying not jolt her fragile body any more than he has already, he positions her so that her head is a little closer to the open oven door.

He turns all the gas jets full on and quickly burrows under the thick quilt, stretching himself out beside her, his beloved, his dearest friend, his soul mate.

Wraps his arms around her and tries to still her shivering body, even though his own hands are numb with cold.

Plants a gentle kiss on her dry lips.

Puts his lips close to her ear, and whispers. “Breathe deep, my love, and if you get there first, wait for me.”

~~~~~

Want to know more? ‘Flight of the Kingfisher’ is available in paperback and kindle formats from Amazon, for all e-readers from Smashwords.com, and to order from all bookshops.

(This is a revised version, the ISBN number is 9780956795410)

Writing Matters #2: the leaf

In my first Writing Matters blog I wrote about how I had taken back the rights to my novel ‘The Waiting Gate’, thoroughly revised it and published under my own imprint with a gorgeous new cover and a new title: ‘Walk in the Afterlight’.

Although I felt I had done the right thing, there was always a little niggle at the back of my mind that maybe I hadn’t. I belong to a fantastic support group, Alliance of Independent Authors (ALLi) and when I posted on the forum about changing the title of a published book I had mixed responses. Some said go for it, some had actually done it and considered it the right thing to do, others said it was a risk. As you know, I decided to go ahead and I’m very proud of the result. But still… that niggle wouldn’t go away. Until I got a little message that convinced me I had done the right thing.

At the beginning of this month I was fortunate enough to visit our Greek home for two weeks, a place of tranquility and beauty where I always find it easy to write. Every morning I set my laptop up on the marble-topped table on the patio, work on and off throughout the day, then pack up for the evening and watch the sun go down (yes, lucky, lucky me!).

On this particular morning, I’d gone into the house to make coffee, and when I came out I noticed a leaf. It is a large patio, but there was just the one leaf. A couple of feet from my chair.

Study that for moment and then look at the cover:

It literally sent shivers up and down my spine.

Jane, 19 October 2020